National Recording Registry

Martin Luther King Jr.'s 1963 "I Have a Dream" speech was one of 50 recordings preserved in 2002, the first year of existence of the United States National Recording Registry.

The National Recording Registry is a list of sound recordings that "are culturally, historically, or aesthetically significant, and inform or reflect life in the United States".[1] The registry was established by the National Recording Preservation Act of 2000,[2] which created the National Recording Preservation Board, whose members are appointed by the librarian of Congress. The recordings preserved in the United States National Recording Registry form a registry of recordings selected yearly by the National Recording Preservation Board for preservation in the Library of Congress.[2]

The National Recording Preservation Act of 2000 established a national program to guard America's sound recording heritage. The Act created the National Recording Registry, the National Recording Preservation Board, and a fundraising foundation.[3] The purpose of the Registry is to maintain and preserve sound recordings and collections of sound recordings that are culturally, historically, or aesthetically significant.[2] In 2002, the National Recording Preservation Board selected recordings nominated each year to be preserved. On January 27, 2003, the first 50 recordings were announced by James Billington, the librarian of Congress.[4]

The first four yearly lists had 50 selections each. Since 2006, 25 recordings have been selected annually. As of 2026, 700 recordings have been preserved in the Registry. Each calendar year, public nominations are accepted for inclusion in that year's list of selections, which are announced the following spring.

Registry title works, original or copies, are housed at the Library of Congress's Packard Campus for Audio Video Conservation. Each yearly list typically includes a few recordings that have also been selected for inclusion in the holdings of the National Archives' audiovisual collection. Political recordings on the National Recording Registry tend to overlap with the audiovisual collection of the National Archives.

Selection criteria

The criteria for selection are:

  • Recordings selected for the National Recording Registry are "culturally, historically or aesthetically significant", and inform or reflect culture in the United States.[5][1]
  • Recordings will not be considered for inclusion in the National Recording Registry if no copy of the recording exists.[5]
  • No recording is eligible for inclusion in the National Recording Registry until ten years after the recording's creation.[5]

Inductees

The list shows overlapping items and whether the National Archives has an original or a copy of the recording.

Notes

  1. ^ The original 25 recordings from July 24, 1933, and July 28, 1934, are preserved at the Roosevelt Library in Hyde Park, New York.[9]
  2. ^ a b c This recording is, or was made for, the soundtrack of a Pulitzer Prize-winning production.
  3. ^ Described elsewhere on website as 1936.[12]
  4. ^ The essay accompanying the U.S. Highball listing seems to concern the later 1958 Gate 5 recording.[17]
  5. ^ a b c d e f g h i j k l This recording is, or was made for, the soundtrack of a National Film Registry inductee.
  6. ^ Library of Congress sources conflict regarding the Pat Bonner recording(s) in the registry. The original press release names "Schooner Bradley",[21] while the full registry list and an expanded essay name "Clifton's Crew".[22][23] A list of available audio clips for registry titles includes both "Schooner Bradley" and "Clifton's Crew".[24]
  7. ^ Dates listed for the Pat Bonner selections include 1952–60,[25] June 1960,[22] and June 11, 1960,[26] although the essay for "Clifton's Crew" says "the only known recording" was made August 24, 1938.[27]
  8. ^ The class of 2022 saw a shift with the current calendar year being cited as the "induction year", as opposed to the previous year. Consequently, 2021 was skipped over.[97]

Statistics

As of 2025, the oldest recording on the list is Edouard-Leon Scott de Martinville's Phonautograms, which date back to the 1850s.[122] The most recent is the original Broadway cast recording of Hamilton from 2015.[115]

Selections vary widely in duration. The early Edison recordings, the instrumental "Rumble" by Link Wray, "Rock Around the Clock" by Bill Haley and His Comets, and the Super Mario Bros. theme by Koji Kondo each clock in at under three minutes. The Edison "Talking Doll" cylinder is only 17 seconds long, "The Microsoft Sound" by Brian Eno lasts 6 seconds and some of Scott de Martinville's Phonautographs are just as brief. Meanwhile, Georg Solti's recording of Wagner's complete Ring Cycle is approximately 15 hours in duration,[123] Alexander Scourby's recitation of the King James Bible is over 80 hours, and Lyndon B. Johnson's recordings are nearly 850 hours in length.

Two significant podcast episodes are included: "The Giant Pool of Money" from This American Life (focusing on the subprime mortgage crisis causing the Great Recession) and the Robin Williams interview from WTF with Marc Maron (before his death from suicide in 2014).[124][125]

The Super Mario Bros. theme was the first piece of video game music to be selected for the Registry.[126][127][128]

Multiple entries

The following list contains the names of people credited on more than one entry, whether as a performer, composer, writer, or producer.[129]

List of names
  • Roy Acuff: Grand Ole Opry debut, "Wabash Cannonball", and performing "The Precious Jewel", "Pins and Needles (In My Heart)", "Wreck on the Highway", and "I Saw the Light" on Will the Circle Be Unbroken
  • Harold Arlen: "Over the Rainbow" (both Judy Garland and Israel Kamakawiwoʻole versions), "Ac-Cent-Tchu-Ate the Positive" (Johnny Mercer), "Stormy Weather" (Ethel Waters), "Over the Rainbow" on Carousel of American Music (Garland) and on Live in Japan (Sarah Vaughan), "Don't Like Goodbyes" (from House of Flowers) on People (Barbra Streisand), and "Over the Rainbow", "The Man That Got Away", "Come Rain or Come Shine", and "Stormy Weather" on Judy at Carnegie Hall
  • Marin Alsop: Fanfare for the Uncommon Woman (Joan Tower, conductor) and Percussion Concerto (Jennifer Higdon, conductor)
  • Marian Anderson: 1939 recital at the Lincoln Memorial and "He's Got the Whole World in His Hands"
  • Julie Andrews: The Sound of Music (film soundtrack) and My Fair Lady (original Broadway cast)
  • Paul Anka: "Put Your Head on My Shoulder" (self) and "It Doesn't Matter Anymore" on Heart Like a Wheel (Linda Ronstadt)
  • Louis Armstrong: Hot Five and Hot Seven recordings, "When the Saints Go Marching In", "Mack the Knife", "Canal Street Blues" (King Oliver's Creole Jazz Band), and "Melancholy Blues" on Murmurs of Earth
  • Eddy Arnold: "Make the World Go Away" (self), "I Couldn't Believe it Was True" on Red Headed Stranger (Willie Nelson), and "You Don't Know Me" and "Just a Little Lovin' (Will Go a Long Way)" on Modern Sounds in Country and Western Music (Ray Charles)
  • Clarence Ashley: "The House Carpenter" and "The Coo Coo Bird" on Anthology of American Folk Music and Old Time Music at Clarence Ashley's
  • Johann Sebastian Bach: Mass in B minor (Robert Shaw Chorale), Switched-On Bach (Wendy Carlos), Fantasia in G (Frederick Fennell and the Cleveland Symphonic Winds), Cello Suites (Pablo Casals), Goldberg Variations (Glenn Gould), "Brandenburg Concerto No.2", "Prelude and Fugue in C major", and "Partita for Violin No. 3" on Murmurs of Earth (Karl Richter and the Munich Bach Orchestra, Glenn Gould, and Arthur Grumiaux, respectively), and the invitatory of A Festival of Lessons and Carols as Sung on Christmas Eve in King’s College Chapel, Cambridge (The King's College Choir)
  • Ludwig van Beethoven: Kreutzer Sonata (Béla Bartók and Joseph Szigeti), Complete String Quartets (Budapest Quartet), Egmont Overture (Modesto High School Band), Complete Piano Sonatas (Artur Schnabel), the first movement of Symphony No.5 on Murmurs of Earth (Otto Klemperer), "Marcia funebre" (Boston Symphony Orchestra, on the death of John F. Kennedy), "Für Elise" on A Charlie Brown Christmas (Vince Guaraldi), and "A Fifth of Beethoven" on Saturday Night Fever (adaptation of Symphony No.5 by Walter Murphy)
  • Harry Belafonte: Calypso and Free to Be... You and Me (with Marlo Thomas)
  • Irving Berlin: "God Bless America" (Kate Smith), "Puttin' On the Ritz" (Harry Richman), "White Christmas" (Bing Crosby), "Blue Skies" on Carnegie Hall Jazz Concert (Benny Goodman), "God Bless America" on Carousel of American Music (self), "Puttin' On the Ritz" on Judy at Carnegie Hall (Judy Garland), "Supper Time" on People (Barbra Streisand), and "Get Thee Behind Me Satan" on Talking Union (The Almanac Singers)
  • Leonard Bernstein: debut at the New York Philharmonic, West Side Story (original Broadway cast), performing David Diamond's "Prelude and fugue, no. 3" on the New Music Quarterly Recordings Series, and "Some Other Time" (from On the Town) on The Complete Village Vanguard Recordings (Bill Evans Trio)
  • Chuck Berry: "Roll Over Beethoven" (single) and "Johnny B. Goode" on Murmurs of Earth
  • William Billings: The Continental Harmony (Gregg Smith Singers) and "David's Lamentation" on Our American Journey (Chanticleer)
  • Boston Symphony Orchestra: Peter and the Wolf, The Damnation of Faust, and "Marcia Funebre" on the death of John F. Kennedy
  • Bertolt Brecht: "Mack the Knife" (both versions by Louis Armstrong and Bobby Darin) and on Saxophone Colossus (Sonny Rollins) and "Alabama Song" on The Doors (The Doors)
  • Benjamin Britten: War Requiem and arias from Peter Grimes on Signatures (Renée Fleming)
  • Jackson Browne: Late for the Sky (self) and "Take It Easy" on Their Greatest Hits (1971–1975) (The Eagles)
  • Irving Caesar: "Swanee" (Al Jolson), "Swanee" on Judy at Carnegie Hall (Judy Garland), "You're a Real Sweetheart" on the Hot Five and Hot Seven Sessions (Louis Armstrong and His Hot Five), and"I Want to Be Happy" on The Jazz Scene (Lester Young)
  • Hoagy Carmichael: "Stardust" (self), "Stardust" and "Little Old Lady" on Carousel of American Music, and "The Nearness of You" on Live in Japan (Sarah Vaughan),
  • The Carter Family: "Wildwood Flower" (single), "John Hardy Was a Desperate Little Man", "Engine 143", "Little Moses", and "Single Girl, Married Girl" on Anthology of American Folk Music, and "Bury Me Under The Weeping Willow ", "Little Log Cabin By The Sea", "The Poor Orphan Child", "The Storms Are On The Ocean", "Single Girl, Married Girl" and "The Wandering Boy" during the Bristol sessions
  • Ray Charles: "What'd I Say", Modern Sounds in Country and Western Music, and "I Got a Woman" on Green Onions (Booker T. & the M.G.'s)
  • Clifton Chenier: Bogalusa Boogie (self) and performer in the Crescent City Living Legends Collection
  • Chicago Symphony Orchestra: Pictures at an Exhibition, Also sprach Zarathustra, and the "Concord Sonata"
  • Winston Churchill: "Sinews of Peace" speech and 1941 Christmas Eve broadcast
  • Nat King Cole: "Straighten Up and Fly Right" and "The Christmas Song" (singles) and first Jazz at the Philharmonic concert (performer)
  • John Coltrane: Giant Steps, A Love Supreme, and Kind of Blue (with Miles Davis)
  • Sam Cooke: "A Change Is Gonna Come", "Jesus Gave Me Water" (with the Soul Stirrers), and "You Send Me" on Fly Like an Eagle (Steve Miller Band)
  • Norman Corwin: We Hold These Truths and On a Note of Triumph (writer)
  • Bing Crosby: "Brother, Can You Spare a Dime?" and "White Christmas"
  • David Crosby: Déjà Vu (Crosby, Stills, Nash & Young, member) and "Turn! Turn! Turn!" (The Byrds, member)
  • Celia Cruz: Celia & Johnny and performing "Diosa del Ritmo" on Live at Yankee Stadium (Fania All-Stars)
  • Miles Davis: "Ko-Ko", Kind of Blue, Bitches Brew, and "Solar" and "Milestones" on The Complete Village Vanguard Recordings (Bill Evans Trio)
  • Fats Domino: "Blueberry Hill", "Ain't That a Shame" on Cheap Trick at Budokan (Cheap Trick), and "I'm Walkin" on J.D. Crowe & The New South (J.D. Crowe and The New South)
  • Thomas A. Dorsey: "If I Could Hear My Mother Pray Again", Precious Lord: New Recordings of the Great Gospel Songs of Thomas A. Dorsey, and "Peace in the Valley" (Red Foley and the Sunshine Boys)
  • Dr. Dre: The Chronic (self) and Straight Outta Compton (N.W.A)
  • Thomas Edison: 1878 "St. Louis tinfoil" recording, 1888–89 exhibition recordings on phonograph cylinders ("Around the World on the Phonograph", "The Pattison Waltz" and "Fifth Regiment March"), and honoree of Light's Golden Jubilee
  • Bernard Edwards: "Le Freak" (Chic, member), "We Are Family" (Sister Sledge), "Rapper's Delight" (The Sugarhill Gang), and Like a Virgin (Madonna, bass guitar)
  • Duke Ellington: Ellington at Newport, "Sono" and "Frustration" on The Jazz Scene, "Blue Reverie" on Carnegie Hall Jazz Concert (Benny Goodman), and the Blanton-Webster era recordings
  • Brian Eno: "The Microsoft Sound", Remain in Light (Talking Heads, producer/composer) and The Joshua Tree (U2, producer)
  • Bill Evans: The Complete Village Vanguard Recordings, 1961 (Bill Evans Trio), Kind of Blue (with Miles Davis), and Blues and the Abstract Truth (with Oliver Nelson)
  • The Everly Brothers: "Cathy's Clown", Graceland (with Paul Simon), and "When Will I Be Loved" on Heart Like a Wheel (Linda Ronstadt, Phil Everly as writer)
  • Joe Falcon: "Allons à Lafayette" (single) and "Acadian One Step", "Le vieux soûlard et sa femme", and "C'est si triste sans lui" on Anthology of American Folk Music
  • Frederick Fennell: Winds in Hi-Fi and "Suite No. 1 in E flat", "Suite No. 2 in F" (Holst) / Music for the Royal Fireworks (Handel) / "Fantasia in G" (Bach)
  • Stephen Foster: Many songs on the Vernacular Wax Cylinder Recordings at UCSB and "Jeanie with the Light Brown Hair" and "Camptown Races" on Our American Journey (Chanticleer)
  • Judy Garland: Judy at Carnegie Hall, "Over the Rainbow" (single), and "Over the Rainbow" on Carousel of American Music
  • Marvin Gaye: What's Going On, "Dancing in the Street" (Martha & the Vandellas, single) and "Dancing in the Street" on Barton Hall Concert at Cornell University (Grateful Dead)
  • George Gershwin (without Ira): "Fascinating Rhythm" (Fred & Adele Astaire, as pianist), "Rhapsody in Blue" (Paul Whiteman Orchestra), "Swanee" (Al Jolson), Porgy and Bess (original cast), "Summertime" on Cheap Thrills (Big Brother and the Holding Company), Live in Japan (Sarah Vaughan), and on Carousel of American Music (Edwin McArthur), and "Do It Again" and "Swanee" on Judy at Carnegie Hall (Judy Garland)
  • George and Ira Gershwin: "Fascinating Rhythm" (Fred & Adele Astaire and Sol Hoʻopiʻi versions), "A Foggy Day" and "They Can't Take That Away from Me" on Songs for Young Lovers (Frank Sinatra), "Oh, Lady Be Good!" on Hottest Women's Band of the 1940s (International Sweethearts of Rhythm), "A Foggy Day" on Live in Japan (Sarah Vaughan), "Love Walked In" on Our American Journey (Chanticleer), "Who Cares (As Long as You Care for Me)", "A Foggy Day", and "How Long Has This Been Going On?" on Judy at Carnegie Hall (Judy Garland), "Porgy (I Loves You, Porgy)" and "My Man's Gone Now" on The Complete Village Vanguard Recordings (Bill Evans Trio), "The Man I Love" and "I Got Rhythm" on Carnegie Hall Jazz Concert (Benny Goodman) and on Carousel of American Music (Edwin McArthur)
  • Dizzy Gillespie: "Ko-Ko" and Manteca
  • Benny Goodman: "Rose Room" (with Charlie Christian) and Carnegie Hall Jazz Concert
  • Merle Haggard: "Mama Tried" (self) and "Mama Tried" on Barton Hall Concert at Cornell University (Grateful Dead)
  • Herbie Hancock: Songs in the Key of Life and Head Hunters
  • George Frideric Handel: Messiah (Eugene Ormandy), Concerto Grosso in B flat major (Erich Leinsdorf and the Boston Symphony Orchestra) and Music for the Royal Fireworks (Frederick Fennell and the Cleveland Symphonic Winds)
  • Don Henley: Their Greatest Hits (1971–1975) (Eagles) and Late for the Sky (vocals)
  • Jim Henson: "Rainbow Connection" and Sesame Street: Platinum All-Time Favorites ("Bein' Green") (both as Kermit the Frog); ("Rubber Duckie" and "I Don't Want to Live on the Moon", as Ernie)
  • Mississippi John Hurt: Anthology of American Folk Music and Today!
  • Blind Lemon Jefferson: "That Black Snake Moan/Matchbox Blues" and Anthology of American Folk Music
  • Antônio Carlos Jobim: "The Girl from Ipanema" (with Stan Getz and João Gilberto) and "Wave" on Live in Japan (Sarah Vaughan)
  • Blind Willie Johnson: Anthology of American Folk Music, "Dark Was the Night, Cold Was the Ground" and Murmurs of Earth (also featuring "Dark Was the Night, Cold Was the Ground")
  • James P. Johnson: "Charleston" (Golden Gate Orchestra) and "Harlem Strut"
  • Scott Joplin: Ragtime piano rolls and Treemonisha
  • Carol Kaye: Pet Sounds (Beach Boys), "You've Lost That Lovin' Feelin'" (The Righteous Brothers), and Forever Changes[130][131] (Love) (each as part of The Wrecking Crew)
  • Carole King: Tapestry and Tonight's the Night (The Shirelles)
  • John Lennon: Sgt. Pepper's Lonely Hearts Club Band (The Beatles) and Imagine (solo)
  • Alan Lomax: Jelly Roll Morton interviews and United Sacred Harp Musical Convention in Fyffe, Alabama
  • Professor Longhair: "Tipatina" and Crescent City Living Legends Collection
  • Teo Macero: Mingus Ah Um (Charles Mingus) and Time Out (Brubeck) (each as producer)
  • Uncle Dave Macon: Anthology of American Folk Music and Grand Ole Opry debut
  • Henry Mancini: The Music from Peter Gunn and "Moon River" (Andy Williams)
  • Curtis Mayfield: "People Get Ready" (The Impressions) and Super Fly (solo)
  • Lincoln Mayorga: Sheffield S9 and I've Got the Music in Me (Thelma Houston)
  • Paul McCartney: Sgt. Pepper's Lonely Hearts Club Band (The Beatles) and "The Girl Is Mine" on Thriller (Michael Jackson)
  • Graham McNamee: Inauguration of Calvin Coolidge, Charles Lindbergh's arrival, and Light's Golden Jubilee (announcer)
  • Grandmaster Melle Mel: "The Message" (Grandmaster Flash and the Furious Five) and "I Feel for You" (Chaka Khan)
  • Joni Mitchell: For the Roses (self), "Woodstock" on Déjà Vu (Crosby, Stills, Nash & Young), and "Both Sides, Now" on Will the Circle Be Unbroken (Nitty Gritty Dirt Band)
  • Bill Monroe: "Blue Moon of Kentucky" (with the Blue Grass Boys) and "Blue Moon of Kentucky" on The Sun Sessions (Elvis Presley)
  • Giorgio Moroder: "I Feel Love" (Donna Summer) and "Flashdance... What a Feeling" (Irene Cara)
  • Jelly Roll Morton: Alan Lomax interviews and "Black Bottom Stomp"
  • Wolfgang Amadeus Mozart: "Il mio tesoro" (John McCormack), Murmurs of Earth (the "Queen of the Night aria" from The Magic Flute), and Signatures (Renée Fleming)
  • Edward R. Murrow: I Can Hear It Now: 1933–1945 and 1941 broadcasts from London
  • NBC Symphony Orchestra: Adagio for Strings and Tchaikovsky's "Piano Concerto No. 1, op. 23, B♭ minor"
  • Ric Ocasek: The Cars and Weezer (producer)
  • Babatunde Olatunji: Drums of Passion and We Insist! ("All Africa" and "Tears for Johannesburg")
  • Johnny Pacheco: Celia & Johnny and Fania All-Stars Live At Yankee Stadium (conductor)
  • Cole Porter: "You're the Top" (self), "Begin the Beguine" (Artie Shaw), Kiss Me, Kate (original Broadway cast), Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald), "I Get a Kick Out of You" on Songs for Young Lovers (Frank Sinatra), "Love for Sale" on Go! (Dexter Gordon), and "All of You" on The Complete Village Vanguard Recordings (Bill Evans Trio)
  • Leontyne Price: A Program of Song and Aida (Verdi)
  • Prince: Purple Rain (self) and "I Feel for You" (Chaka Khan)
  • Ismael Quintana: Azúcar Pa' Ti (Eddie Palmieri), Fania All-Stars Live At Yankee Stadium (vocals), and Celia & Johnny (maracas)
  • Sergei Rachmaninoff: Piano Concerto No. 2 in C minor and All-Night Virgil
  • Bonnie Raitt: Nick of Time and Wide Open Spaces (The Chicks)
  • Paul Robeson: Show Boat and Othello
  • Marty Robbins: Gunfighter Ballads and Trail Songs (self) and "El Paso" on Barton Hall Concert at Cornell University (Grateful Dead)
  • Jimmie Rodgers: "Blue Yodel (T for Texas)" and Bristol sessions
  • Rodgers and Hart: "My Funny Valentine" (Gerry Mulligan quartet and Chet Baker), "Ten Cents a Dance" (Ruth Etting), "I Could Write a Book" on The Audience with Betty Carter (Betty Carter), "Blue Room" on Carnegie Hall Jazz Concert (Benny Goodman), "My Romance" on The Complete Village Vanguard Recordings (Bill Evans Trio), "This Can't Be Love" and "You're Nearer" on Judy at Carnegie Hall (Judy Garland), "My Funny Valentine" and "I Could Write a Book" on Live in Japan (Sarah Vaughan), "My Funny Valentine" and "Little Girl Blue" on Songs for Young Lovers (Frank Sinatra), and "Blue Moon" on The Sun Sessions (Elvis Presley)
  • Rodgers and Hammerstein: South Pacific, Oklahoma!, The Sound of Music, and "My Lord and Master" (from The King and I) on People (Barbra Streisand)
  • Nile Rogers: "Le Freak" (Chic), "We Are Family" (Sister Sledge), and Like a Virgin (Madonna)
  • Roy Rogers: "Happy Trails" (with Dale Evans), and "Tumbling Tumbleweeds" (Sons of the Pioneers, member)
  • Sonny Rollins: Brilliant Corners (Thelonious Monk) and Saxophone Colossus (solo)
  • Linda Ronstadt: Graceland (backup vocals), Partners (duet), Canciones de Mi Padre and Heart Like a Wheel (solo)
  • Franklin D. Roosevelt: 1941 Christmas Eve broadcast, complete presidential speeches and "Fireside chats"
  • Diana Ross: "Where Did Our Love Go" (The Supremes) and Free to Be... You and Me (solo)
  • Carl Sagan: Voyager Record (producer) and Pale Blue Dot (narrator of the audiobook)
  • Pete Seeger: We Shall Overcome, Talking Union (The Alamanac Singers), and "Turn! Turn! Turn!" (The Byrds, composer)
  • Robert Shaw: Mass in B minor (Robert Shaw Chorale) and All-Night Vigil (Robert Shaw Festival Singers)
  • Paul Simon: Sounds of Silence (Simon & Garfunkel) and Graceland (solo)
  • Stephen Sondheim: West Side Story, Gypsy and Sweeney Todd: The Demon Barber of Fleet Street
  • Phil Spector: "Be My Baby" (The Ronettes) and "You've Lost That Lovin' Feelin" (The Righteous Brothers)
  • Stephen Stills: Déjà Vu (Crosby, Stills, Nash & Young) and "Change Partners" on Partners (1992)
  • Leopold Stokowski: 1942 recording of Native Brazilian music and Piano Concerto No. 2 in C minor (Rachmaninoff)
  • Richard Strauss: Also Sprach Zarathustra (Fritz Reiner), Winds in Hi-Fi (Frederick Fennell and the Cleveland Symphonic Winds), Four Last Songs (Jessye Norman), Leonard Bernstein debut (sections of Don Quixote),[132] A Program of Song (Leontyne Price) and Signatures (Fleming)
  • Igor Stravinsky: The Rite of Spring and Murmurs of Earth (also containing a section of the same piece)
  • Pyotr Ilyich Tchaikovsky: Piano Concerto No.1 (Van Cliburn) and Signatures (Renée Fleming)
  • Big Mama Thorton: "Hound Dog" (self), "Hound Dog" on Hoodoo Man Blues (Junior Wells and his Chicago Blues Band with Buddy Guy), and "Ball and Chain" on Cheap Thrills (Big Brother and the Holding Company)
  • Arturo Toscanini: Piano Concerto No. 1 and "Adagio for Strings" (Samuel Barber)
  • Jimmy Webb: "Wichita Lineman" (Glen Campbell) and "Up, Up and Away" on Sheffield S9 (Lincoln Mayorga)[59]
  • Kurt Weill: "Mack the Knife" (both versions by Louis Armstrong and Bobby Darin) and Saxophone Colossus (Rollins)
  • Orson Welles: War of the Worlds and The Fall of the City
  • Paul Whiteman: Rhapsody in Blue and "Whispering"
  • Hank Williams: "Lovesick Blues" (self), "I Can't Help It (If I'm Still in Love with You)" on Heart Like a Wheel (Linda Ronstadt), "Hey, Good Lookin'" and "You Win Again" on Modern Sounds in Country and Western Music (Ray Charles), and "I Saw the Light", "Honky Tonk Blues", and "Honky Tonkin'" on Will the Circle Be Unbroken (Nitty Gritty Dirt Band)
  • Brian Wilson: Pet Sounds (The Beach Boys) and "Good Vibrations" on Sheffield S9 (Lincoln Mayorga)[59]
  • Stevie Wonder: "Lift Every Voice and Sing" (Melba Moore & Friends), "I Feel for You" (Chaka Khan), I've Got the Music in Me (Thelma Houston) and Songs in the Key of Life (solo)
  • Frank Zappa: We're Only in It for the Money (Mothers of Invention) and Trout Mask Replica (producer)

The following list contains the songs included on more than one entry.

List of songs

Popular Songs

  • "All of You": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and on The Complete Village Vanguard Recordings (Bill Evans Trio)
  • "Always True to You in My Fashion": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and Kiss Me, Kate (original Broadway cast)
  • "Begin the Beguine": Artie Shaw (single) and on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald)
  • "Blue Moon of Kentucky": Bill Monroe and the Blue Grass Boys (single) and on The Sun Sessions (Elvis Presley)
  • "The Christmas Song": Nat King Cole and on A Charlie Brown Christmas (Vince Guaraldi)
  • "Dancing in the Street": Martha & the Vandellas (single) and on Barton Hall Concert at Cornell University (Grateful Dead)
  • "El Paso": on Gunfighter Ballads and Trail Songs (Marty Robbins) and on Barton Hall Concert at Cornell University (Grateful Dead)
  • "Dark Was the Night, Cold Was the Ground": Blind Willie Johnson (single) and on Murmurs of Earth (also Johnson)
  • "A Foggy Day": on Songs for Young Lovers (Frank Sinatra), Live in Japan (Sarah Vaughan), and on Judy at Carnegie Hall (Judy Garland)
  • "God Bless America": Kate Smith (single) and on Carousel of American Music (Irving Berlin)
  • "Hound Dog": Big Mama Thornton (single) and on Hoodoo Man Blues (Junior Wells and his Chicago Blues Band with Buddy Guy)
  • "I Could Write a Book": on The Audience with Betty Carter (Betty Carter) and on Live in Japan (Sarah Vaughan),
  • "I Get a Kick Out of You": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and on Songs for Young Lovers (Frank Sinatra)
  • "I Got Rhythm": on Carnegie Hall Jazz Concert (Benny Goodman) and on Carousel of American Music (Edwin McArthur)
  • "Porgy (I Loves You, Porgy)": on Porgy and Bess (original cast) and The Complete Village Vanguard Recordings (Bill Evans Trio)
  • "Love for Sale": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and on Go! (Dexter Gordon)
  • "Mack the Knife": Louis Armstrong, Bobby Darin (singles) and on Saxophone Colossus (Sonny Rollins)
  • "Mama Tried": Merle Haggard (single) and on Barton Hall Concert at Cornell University (Grateful Dead)
  • "My Funny Valentine": Gerry Mulligan quartet and Chet Baker (single), on Live in Japan (Sarah Vaughan), and on Songs for Young Lovers (Frank Sinatra)
  • "My Man's Gone Now": on Porgy and Bess (original cast) and on The Complete Village Vanguard Recordings (Bill Evans Trio)
  • "Over the Rainbow": Judy Garland, Israel Kamakawiwoʻole (singles), on Judy at Carnegie Hall, on Carousel of American Music (both Garland), and on Live in Japan (Sarah Vaughan)
  • "Puttin' On the Ritz": Harry Richman (single) and on Judy at Carnegie Hall (Judy Garland)
  • "Single Girl, Married Girl": Anthology of American Folk Music and the Bristol Sessions (both the Carter Family)
  • "Sallie Gooden": Eck Robertson (single) and on J.D. Crowe & The New South (J.D. Crowe and The New South)
  • "So in Love": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and Kiss Me, Kate (original Broadway cast)
  • "Stardust": Hoagy Carmichael (single) and on Carousel of American Music (also Carmichael)
  • "Stormy Weather": Ethel Waters (single) and on Judy at Carnegie Hall (Judy Garland)
  • "Summertime": on Porgy and Bess (original cast), on Cheap Thrills (Big Brother and the Holding Company), on Live in Japan (Sarah Vaughan), and on Carousel of American Music (Edwin McArthur)
  • "Swanee": Al Jolson (single) and on Judy at Carnegie Hall (Judy Garland)
  • "Tom Dooley": Frank Proffitt and The Kingston Trio (singles)
  • "Wabash Cannonball": Roy Acuff (single) and on Will the Circle Be Unbroken (Nitty Gritty Dirt Band)
  • "Why Can't You Behave?": on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald) and Kiss Me, Kate (original Broadway cast)
  • "Wildwood Flower": The Carter Family (single) and on Will the Circle Be Unbroken (Nitty Gritty Dirt Band)
  • "You're the Top": Cole Porter (single) and on Ella Fitzgerald Sings the Cole Porter Song Book (Ella Fitzgerald)
  • "Your Love": Jamie Principle and Frankie Knuckles (singles, different versions)

Classical Compositions

  • The Well-Tempered Clavier: "Prelude and Fugue in C major" on Murmurs of Earth (Glenn Gould) and "Prelude and Fugue in E-flat major" and "Prelude and Fugue in C minor" on Switched-On Bach (Wendy Carlos)
  • Brandenburg Concertos: "Brandenburg Concerto No.2" on Murmurs of Earth (Karl Richter and the Munich Bach Orchestra) and "Brandenburg Concerto No.3" on Switched-On Bach (Wendy Carlos)
  • The Rite of Spring: The 1940 New York Philharmonic recording (with Stravinsky) and on Murmurs of Earth (Columbia Symphony Orchestra and Stravinsky)

See also

References

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